All Giorgio Vasari Oil Paintings

1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
 

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Giorgio Vasari The Immaculate one Concepcion oil on canvas


The Immaculate one Concepcion
The Immaculate one Concepcion
Painting ID::  41942
  mk166 1541 I Wave on board of wood 58x40cm Uffizi, Florence
  mk166 1541 I Wave on board of wood 58x40cm Uffizi, Florence

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Giorgio Vasari The Anunciacion oil on canvas


The Anunciacion
The Anunciacion
Painting ID::  41948
  mk166 Around the second half of the Century XVI Painting on wood 216x166cm
  mk166 Around the second half of the Century XVI Painting on wood 216x166cm

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Giorgio Vasari Perseus and Andromeda oil on canvas


Perseus and Andromeda
Perseus and Andromeda
Painting ID::  44897
  mk176 1570-72 Oil on canvas
  mk176 1570-72 Oil on canvas

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Giorgio Vasari The Gastmabl of the Bl Gregor oil on canvas


The Gastmabl of the Bl Gregor
The Gastmabl of the Bl Gregor
Painting ID::  45431
  mk186 around 1540 Bologna, Pinacoteca Nazionale
  mk186 around 1540 Bologna, Pinacoteca Nazionale

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Giorgio Vasari la pittura oil on canvas


la pittura
la pittura
Painting ID::  68595
  1542 se
  1542 se

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     Giorgio Vasari
     1511-74 Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.

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